Tuesday, April 22, 2014

Claude Debussy / Benno Sachs Prélude à l


Claude Debussy / Benno Sachs Prélude à l'après-midi d'un faune (1894) musical performance blood clot Ictus conductor Georges-Elie Octors soprano Marianne Pousseur concept blood clot Thierry De Mey movie Thierry De Mey choreography Anne Teresa De Keersmaeker co Charleroi Danses Arnold Schoenberg Pierrot Lunaire, Op 21 (1912) musical performance Ictus conductor François Deppe soprano Marianne Pousseur concept Thierry De Mey movie Thierry De Mey choreography Anne Teresa De Keersmaeker co Charleroi Danses Frédéric Verrières False 3 phantasmagoria d'après La Valse du Maurice Ravel (2012, assignment Ictus) musical performance Ictus conductor Georges-Elie Octors soprano Marianne Pousseur concept Thierry blood clot De Mey movie Thierry De Mey choreography Anne Teresa blood clot De Keersmaeker co Charleroi Danses
In 1912 Vaslav Nijinsky created a choreography to Debussy's "Prélude à l'après-midi d'un faune". One hundred years later, Thierry De Mey a film with the same music, now on a choreography by Anne Teresa De Keersmaeker. Ictus and performed live Bennos Sachs' chamber music version of Debussy's legendary ballet music. blood clot A faschinerend initiative filmmaker blood clot and composer Thierry De Mey explores the relationship between movement and dance music since the eighties. Also on the concert program, a new version of Maurice Ravel's "La Valse" for ensemble and electronics by Frederic Verrières. Together we are looking forward to his contemporary interpretation of the Viennese waltz. Finally, we hear Arnold Schoenberg's Pierrot Lunaire, "based on the symbolist poems by Albert Giraud Belgians. A moonstruck Pierrot gets the lead role. The highly successful German translation by Otto Erich Hartleben inspired Schoenberg to a hallucinatory masterpiece. Not only the introduction blood clot of the groundbreaking Sprechgesang 'but also the sensual fusion of text and music give this work are masterful appearance. And "Pierrot Lunaire" was created a hundred years ago. www.ictus.be
jos vp undoubtedly instructive evening. Verrieres and work of Schonberg were completely unknown to me. Especially Schonberg intrigued, but it was great pity that there was no subtitles. The diseuse was a great way of engaging an undoubtedly interesting story to tell - with translation, blood clot I would have been able to follow and have been able to appreciate the work fully.
Diary December 2012 - Roel Daenen
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